Tuesday, 8 November 2016

strange_complex: (Claudia Cardinale car)
The other cool Dracula-related thing I did recently was to go on a little road-trip with the lovely [livejournal.com profile] ms_siobhan to see two exhibitions dedicated to our favourite kind of horror films: British productions from the 1950s to '70s, and especially those made by Hammer. As luck would have it, the exhibitions we were interested in overlapped by about a week (over Halloween, natch) and were both located in the east Midlands area. So although each was quite small and it would have seemed a bit of an endeavour to go to either one from Leeds on its own, between the two they made for a very agreeable day out.

Our first port of call was Northampton, where the city's Museum and Art Gallery was hosting an exhibition of film posters entitled 'Scream And Scream Again: The Golden Age Of British Horror'. It's actually a touring exhibition, put together by an organisation called Abertoir who run a horror festival in Aberystwyth, so although the Northampton showing has finished now, it's worth looking out for it at a museum near you in the future if you like the sound of it. It wasn't huge, consisting of probably about 25-30 posters plus some collected front-of-house publicity stills in a gallery about the size of a typical village hall, but it provided a very well-selected cross-section of some of the best films of the era.

2016-11-02 12.31.24.jpg

More pictures under here )

We also both really liked Northampton as a whole. Neither of us could remember having been there before, and we did see it at its best in lovely sunshine and still-mild weather, but it certainly struck us as worth visiting. In fact, a lot of people I know would enjoy the regular collections of museum itself, because Northampton has a proud history as a major cobbling centre, so basically the whole ground floor of the museum (apart from the temporary exhibitions gallery where the horror posters were) is entirely devoted to SHOES! Victorian lace-up boots, clompy glittery platforms, fancy stilettos, you name it. You can get a taste of the sort of thing they have from their Shoe of the Month blog feature.

We found lots of interesting architecture in the town centre, of which I made a particular point of capturing some of the Art Deco highlights )

Our next destination was De Montfort University, Leicester for The Monsters of Hammer: A Screen Bestiary. This is the work of the University's Cinema and Television History research centre (CATH), who now hold Hammer's scripts archive (as well as a growing collection of other Hammer-related material), and were also responsible for the unique staged reading of a never-produced Dracula script, The Unquenchable Thirst of Dracula which I enjoyed SO MUCH last year. Needless to say, I've been following their activities very closely ever since (and indeed before), so I was very excited for this.

The exhibition had been set up in the University's Heritage Centre, and was physically even smaller than the Northampton one, but they had packed a lot in! We spent a good hour-and-a-half there, compared to about 30-45 minutes in Northampton, and although that's probably more than most normal human beings because we are so geeky about Hammer films and needed to examine each item in detail, discuss it at length and take loads of photos, it is still probably good for almost an hour's interest even if you just look at each item and read through the text once. First, some general pictures to show the overall layout, size and feel of it all:

2016-11-02 16.28.13.jpg

Again more under here )

What I'd really like is for them to start publishing some of this material. I see in my mind's eye The Ultimate Hammer Dracula Script Collection, including a) the shooting scripts from the movies that were actually made, b) any earlier variant versions of those and most importantly c) all the ones which weren't produced at all. I don't even know if that is possible - presumably even the unmade scripts are still in copyright, so I can certainly see that it would be complicated. But I think publication has to be the ultimate end-goal of the whole project. Otherwise, for the vast majority of the public the difference between the scripts just not existing at all and lots of time and money being spent looking after, researching and cataloguing them will remain barely detectable.

Anyway, for now I would definitely encourage everyone who loves Hammer films to get along to DMU's Heritage Centre, enjoy their amazing exhibition, and fill in enthusiastic feedback forms to help support CATH's work and enable them to secure more research funding. It's open until next May, so you have plenty of time. :-)

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