strange_complex: (Vampira)
[personal profile] strange_complex
As noted in September, there is a big gap in my film review write-ups for this year. And indeed book reviews stretching back into last year. All sorts of things have got in the way - illness, elections, death, work - and I'm never going to be able to review things I watched or read several months ago as fully now as I might once have done. However, it is weighing on me and I do want to catch up. So here begins an attempt to do so, even if only briefly for each item.

5. Casablanca (1942), dir. Michael Curtiz
A Cottage Road Classic, seen with [livejournal.com profile] ms_siobhan. We came out marvelling at how beautifully-crafted it is, in spite of the world being in such turmoil while it was made, and how every single word and image in the film is so rich with meaning. We also reminded ourselves that part of the reason it is so powerful is that almost every person in the film was a real-world refugee. Indeed when I Googled to refresh my memory of the details, I realised that half the reason I know this is because of an LJ post by [livejournal.com profile] nwhyte from 2014 cataloguing the cast's backgrounds. Thanks for that!

6. Jaguar Lives (1979), dir. Ernest Pintoff
Lent to me by magister because it has Christopher Lee in it and I hadn't seen it. It's basically an absolutely dreadful martial arts action film, which gives away its own supposed twist both in the title and in an opening scene featuring one character assuming that another had died, while it was all too obvious to the audience that he could easily have escaped alive. Lee's performance is perfectly solid of course, as they always are, in a role clearly based on his portrayal of Scaramanga in The Man With the Golden Gun, and Donald Pleasance puts in a good turn being utterly deranged as well. But there will be no need for me to watch this film ever again. I can now tick it off on my list of Lee's performances, and let it rest unmolested.

7. Dracula (1931), dir. George Melford
Watched with [livejournal.com profile] ms_siobhan, this is the Spanish-language version of the Universal Dracula starring Bela Lugosi, filmed with a different cast at night on the same sets. The performances of the women in particular are more passionate than in the English-language version, but the main thing that struck us was that much of the action just took longer to get through, as is reflected by the respective running-times of the two films: 1h25 for the English-language version and 1h44 for the Spanish one. It's certainly worth watching for afficionados, but we did feel it start to drag a bit at times.

8. A Girl Walks Home Alone At Night (2014), dir. Ana Lily Amirpour
The celebrated recent Iranian vampire film - well, sort of, in that it is set in Iran and deeply engaged with Iranian culture, but was actually filmed in California by a second-generation Iranian immigrant. Again I watched this with [livejournal.com profile] ms_siobhan, I think in the same evening as Dracula, and we were very impressed with the beautiful black-and-white photography and somewhat surreal atmosphere. Actually, the whole thing reminded me quite strongly of Martin, both in its portrayal of small-town life and its problems, and in the way it plays around with the established convention of the vampire genre. The girl of the title is a vampire, but she also protects the human women in her town, saving them from predatory men by killing them herself, and eventually offering a form of escape for the main character from the hopeless world he had been trapped in.

OK, that's a start. There will need to be a lot more of these entries. Sorry in advance if they get boring!

Click here if you would like view this entry in light text on a dark background.

Date: Friday, 30 December 2016 18:39 (UTC)
From: [identity profile] the-lady-lily.livejournal.com
I'm going to need to do something very similar...

Date: Friday, 30 December 2016 18:43 (UTC)
ext_550458: (Cities condor in flight)
From: [identity profile] strange-complex.livejournal.com
It's oddly liberating in a way. The Serious, In-Depth Review Obligation Ship has long sailed, so you can just write down that you saw it and move on...

Date: Friday, 30 December 2016 19:07 (UTC)
From: [identity profile] the-lady-lily.livejournal.com
I think I gave up serious and in-depth a while ago, but there's still a lot to be said for a couple of lines. Not least being able to check whether or not you actually saw/read the thing you think you saw/read in the future.

Date: Friday, 30 December 2016 20:06 (UTC)
ext_550458: (Redneck damn toot!)
From: [identity profile] strange-complex.livejournal.com
That is indeed an important part of it.

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