strange_complex: (Augustus)
(Yup, this is me still catching up on 2010 book reviews. The good news now is that there is just this one and another I've already written to go, and then at last I can make a start on 2011! You know, one day before the year ends. Thankfully, the 2011 reviews shouldn't take too long themselves, as I have been so miserable about my huge reviewing back-log this year that I have only read five books. :-/ I'm really looking forward to getting those written up, and being able to return to a more enjoyable regime of instant, enthusiastic reviewing pretty much straight after I've watched / read things. Oh, and sorry for the pedantic page numbers in this review - this one is related to my work on receptions of Augustus, so I may need to be able to return to this review and cross-check details quickly and easily in the future.)

This particular book was recommended to me by my very good friend [livejournal.com profile] hollyione, on the grounds that it would be relevant to my interest in fictional portrayals of Augustus, and tap into my love of the Art Deco era as well. It manages to tick both boxes by presenting a retelling of the fall of the Roman Republic, transposed to the world of high finance in the 1920s and '30s. The role of the burgeoning Roman Empire is taken by America, where Paul Van Zale as Julius Caesar dominates Wall Street, while Egypt with its fading power and strange ancient customs is represented by England - and particularly the Norfolk Broads - where Dinah Slade struggles against hostile half-siblings and financial hardship to preserve her crumbling ancestral home, Mallingham. I'm sure there are some parallels I didn't spot, but as far as I could work it out (and because no-one else seems to have placed such a list on the internet), these are the equivalencies which I recognised )

Howatch's approach to reception )

Cornelius Van Zale, aka Octavian )

Dinah Slade, aka Cleopatra )

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