strange_complex: (Dracula Scars wine)
I got back on Monday night from a long weekend in Whitby spent in the company of around 40 Dracula Society members: including [personal profile] lady_lugosi1313 whom I have now dragooned into joining! I went there with a smaller group of them two years ago, and managed a decent write-up of it afterwards too (LJ / DW), but this was a more formal gathering designed to mark the fortieth anniversary of the Society's first official visit there in 1977.

[personal profile] lady_lugosi1313 and I got there shortly before lunch on the Friday, but the official business didn't begin until that evening, so we spent the afternoon enjoying Gothic seaside fun in the sunshine. We pottered around the shops buying various treasures, and then headed down to the harbour front where she introduced me to Goth Blood milkshakes - basically ordinary milkshakes with bucket-loads of food colouring in them which turn your tongue blood-red after a single sip:

2017-09-08 16.42.27.jpg

I also went through the Dracula Experience: a once-in-a-lifetime audio-visual presentation of the Dracula story. I say 'once-in-a-lifetime' because it is so rubbish that it is hard to imagine anyone voluntarily going twice (for all the reasons aptly articulated in these TripAdvisor reviews). They have a cloak at the beginning of the exhibition which they claim is one of Christopher Lee's Dracula capes, but I'm afraid it clearly isn't: it has a strong diagonal ridged texture which none of Lee's capes in any of the Hammer Dracula films ever did. Still, though, the whole thing only cost three quid, and I did chuckle most of the way through at how inept it was, so I guess it wasn't the worst thing I've ever spent money on. Afterwards, we spent one whole pound each on the tuppenny falls, where [personal profile] lady_lugosi1313, who is an experienced competitive player, completely wiped the floor with me, winning more than double the amount of tuppences I had managed to score every time we compared our takings.

The evening began with the traditional gathering around the bench which the Society donated in 1980 (I suppose we'll celebrate the 40th anniversary of that in three years too!), where [personal profile] lady_lugosi1313 encountered most of the Society's members for the first time, and was also introduced to tuica: Romanian plum brandy, and of course our preferred toast. The rest of the evening was informal, but Julia (the Society's very energetic chair) had laid on a wonderful programme of events for us at the Royal Hotel the following day.

We began with a screening of 27. Holy Terrors (2017), dir. Julian Butler and Mark Goodall )

We also had two talks given by members of the Society: Gail-Nina Anderson on werewolves and Barry McCann on Jekyll and Hyde. Both traced the evolution of their creatures and their stories through time, looking at how and why they have been treated differently in different circumstances, and what aspects of the human experience they have been used to explore. And although this wasn't particularly planned, both actually informed the other very neatly, and indeed made me realise something I had never really noticed before: that Jekyll and Hyde is essentially a werewolf story. As Gail had already shown us, werewolf stories have never actually been that prescriptive about the matter of how a person becomes a werewolf: many just take it for granted that they exist, and those which do try to explain how it happens offer a much wider range of possibilities than the now common idea of being bitten by an existing werewolf. Nor is the moon particularly consistently required to prompt transformations. So a story about a man who brings out his inner beast voluntarily through a potion of his own making fits right into the canon.

After lunch (roast pork baps from the Greedy Pig GET IN MY FACE!), it was time for a quiz. Given that this consisted of a ten-point round on Stoker's Dracula (which I have read multiple times and am reading right now), a ten-point round on Whitby (where I was sat while taking the quiz), and a twenty-point round on film adaptations of Dracula (which are basically the heart of [personal profile] lady_lugosi1313's and my co-conspiratorial film watching), you would have thought I might manage to do quite well on this, but no! Somehow Julia managed to make it really hard. The winner, Kate, scored a fairly modest 26.5 points out of 40, while I scraped along with 14.5 and [personal profile] lady_lugosi1313 bagged a mere 11.5. It's almost like we've been wasting our lives!

Oh well, at least we had plenty of opportunity to buy up books and DVDs which might help us to do better next time in the society auction - not to mention all sorts of other goodies, from the utterly tat-tastic to the actually very tasteful. This was my personal haul, including a notebook in the shape of Christopher Lee as Dracula )

That evening was the Society's formal dinner, so I grabbed the rare opportunity to dress up in full Gothic finery with both hands. We had allowed plenty of time to walk down from our guest-house and ended up arriving ridiculously early, so, as it was still light and I don't look like this very often, [personal profile] lady_lugosi1313 indulged me with a little photo-shoot.

Vanity, vanity, all is vanity )

Much wine was drunk, merriment had and patrons on a ghost walk of Whitby outside the window trolled by means of a green Frankenstein torch shone at them through a white napkin (though irritatingly they didn't seem to notice). None of this, though, stopped a hardy band of us from getting up the next morning bright and early to do the six-and-a-half-mile cliff walk from Whitby to Robin Hood's Bay. This of course was all in honour of Mina and Lucy, who do just this walk in Stoker's novel straight after the funeral of the Demeter's captain: a plan concocted by Mina with a view to tiring Lucy out and stopping her from fretting about the funeral and sleep-walking that night. She records her plan in an entry on the morning of 10 August thus:
She will be dreaming of this tonight, I am sure. The whole agglomeration of things, the ship steered into port by a dead man, his attitude, tied to the wheel with a crucifix and beads, the touching funeral, the dog, now furious and now in terror, will all afford material for her dreams. I think it will be best for her to go to bed tired out physically, so I shall take her for a long walk by the cliffs to Robin Hood's Bay and back. She ought not to have much inclination for sleep-walking then.
And you can read her post-factum report of the walk itself that evening here.

We grabbed a couple of group pictures before we set off, which I hope Michael won't mind too much that I have stolen from his FB page:

Cliff walk party selfie Michael Borio.jpg

Cliff walk photo Dutch angle Michael Borio.jpg


Then off we went, past many picturesque delights )

The conversation as we walked unfolded much as you would expect in the circumstances. I can't remember exactly who said what now, but the gist of it all went more or less like this:

"Presumably Mina and Lucy can't actually have walked to Robins Hood's Bay. They must have taken a horse and cart or something."
"Oh no, it says quite clearly in the novel that they walked."
"Yes, that's right - they're obviously going across the fields because some cows come up and give them a fright."
"Can you imagine doing this in heels and a corset, though?"
"Well, Victorian women did have sensible walking boots and country clothing."
"Yes, absolutely - the Victorians were very much into their physical exercise and fresh air."
"They would still definitely have been wearing corsets, though."
"Oh yes. Mind you, the whalebone corsets had quite a lot of give in them. You would only wear the steel ones in the evening."
"Well, my respect for Mina and Lucy is increasing with every step."
"You've got to wonder if Bram ever actually thought about the implications of doing all this in a corset, though."
"Hmm, yes - good point. Well, unless he dressed up in the full regalia himself and did the whole walk that way. You know, just to really get into the heads of his characters."
"Well, given that he was 6'4", that would have been quite a sight!"

In the end, we were not as hardcore as Mina and Lucy ourselves, though. They walked both ways, and had to suffer an unwanted visit from a curate in the evening. We got the bus back, before enjoying another final dinner together ahead of our general dispersal on the Monday morning. Not that [personal profile] lady_lugosi1313 and I were in a rush to get home that morning, though - not least because she didn't have any house-keys, so couldn't get into the house until [livejournal.com profile] planet_andy got home with his set anyway, and furthermore because their boiler had broken so the house would be freezing. Instead we spent most of the day in Filey, which I have never visited before, but which proved to be a charming seaside town with a lovely museum, some great charity shops, some excellent cafes, and a fountain with a surround designed like a compass showing the directions of all the locations mentioned in the shipping forecast )

They also had a crazy golf course, where [personal profile] lady_lugosi1313 and I played a game so utterly inept that it more than once reduced us to tears of laughter; but I feel duty bound to note that she did beat me, with a score of 37 shots for 9 holes to my 40. Finally it was time to head home, playing games of "I Spy" and "I am a Hammer film: which one am I?" as we drove. All in all a very enjoyable and much-needed final summer jolly before term hits with a vengeance next week...
strange_complex: (Cyberman from beneath)
I saw this at the weekend with the lovely [livejournal.com profile] ms_siobhan and [livejournal.com profile] planet_andy. It's an Amicus werewolf film complete with Peter Cushing, Charles Gray, a youthful Michael Gambon, an alsatian wrapped in a rug, some extremely spangly shirts and a soundtrack full of wacka-wacka guitar music. In other words, lots of silly '70s fun. And just to make the atmosphere complete, [livejournal.com profile] ms_siobhan had used some brand new skull-shaped silicon cake cases which she got for Christmas to bake spongy pink brain-cakes with a delicious layer of boiled eye-balls (aka cherries) to eat while we watched.

The USP of this particular film is that it is (meant to be) as much a detective film as a horror film, with the viewer invited to work out the identity of the werewolf amongst a party of guests at a millionaire's isolated high-security mansion. We were instructed by a voice-over to be on the look-out for clues from the start of the film, and towards the end the narrative stopped for a 'werewolf break', during which we were shown pictures of the surviving guests, and then given thirty seconds to figure out which was the werewolf.

We did managed to narrow it down correctly to two possible suspects out of six, but most of the clues were pretty ham-fisted, and I'm still not convinced we'd actually been given enough information to identify the correct individual. And, disappointingly, there was no Sherlock or Poirot figure within the narrative to explain in detail how we should have been able to work out which character was the werewolf. The identity was revealed, but not the reasoning. Also, the narrative which we had been given up to that point didn't exactly match up with the parameters we were being asked to subscribe to anyway. The millionaire who had assembled the guests kept stating very confidently that he knew ONE of his guests was a werewolf - and indeed this turned out to have been true. But he also gave reasons for suspecting each and every one of them of being a werewolf, and it was never clear why he felt so sure that only one of them actually was, but still couldn't tell which.

Also interesting was the fact that the main character - the millionaire who had invited everyone to his mansion, and who got by far the most screen-time in the film - was black. In fact, so was his wife, which meant that the film passed the ethnic minority version of the Bechdel test - there were several scenes in which the two of them discussed their own goals and motivations with each other, without any particular reference to any of their white guests. That's extremely rare for a '70s British horror flick - but you still couldn't exactly call it a positive portrayal. This character is stereotyped into something of a Blaxploitation role, running about the place a lot in shiny PVC shirts and wielding enormous guns. He also plays right into the age-old trope of the nouveau riche social climber with more money than sense - he's shown as a slightly unhinged play-boy, spending thousands on his obsessive hunt to find a werewolf, and getting several people killed in the process. So, yeah.

And, for a film with such a stellar cast, it doesn't half waste them. Michael Gambon is all right, although he doesn't have terribly much to do except sit around looking a bit sulky. But Peter Cushing gets precious little screen-time; most of his dialogue is incredibly hokey and utterly boring faux-science; and he's obviously been asked to lay aside his trademark crisp English enunciation in favour of an annoying and completely unconvincing foreign accent. As for Charles Gray - to be honest, he was basically phoning it in.

So, not exactly what you'd call a masterpiece, but fun for an afternoon's entertainment. And it's hugely whetted our appetites for more of the same at this year's Bradford Fantastic Film Weekend, too. :-)

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