23. Nosferatu (1922), dir. F. W. Murnau
Saturday, 13 August 2022 16:19I rewatched Nosferatu in May ahead of the World Dracula Day lecture I gave (LJ / DW), because this year marks the centenary of its release and I’d themed my talk around a series of such vampire-related anniversaries. I’d wanted to watch it at some point this year anyway, as I will be going to Slovakia with DracSoc at the end of August on a primarily Nosferatu-themed trip which will encompass Orava Castle (the location used for Orlok’s castle), so that killed two birds with one stone. Many of the thoughts and responses I had on watching it went into my lecture, but it’s a very rich film, so the process of watching it and reading up on it to prepare the lecture left me a bunch of surplus thoughts which didn’t have a place in the lecture. This post is mainly about capturing those.
( The film's survival history )
( Echoes of epistolarity )
( Ellen )
( Editorial cuts )
( Antisemitism )
( Influence on Hammer )
Right then, I think I might finally have written down everything I wanted to say about Nosferatu – for the time being, anyway! Next stop Orava Castle! 😍😍😍
( The film's survival history )
( Echoes of epistolarity )
( Ellen )
( Editorial cuts )
( Antisemitism )
( Influence on Hammer )
Right then, I think I might finally have written down everything I wanted to say about Nosferatu – for the time being, anyway! Next stop Orava Castle! 😍😍😍