strange_complex: (Wicker Man sunset)
The latest Cellar Club screening, and a really good one! It was the only entry from Corman's Poe cycle which I hadn't seen, though of course in fact it isn't a Poe story at all. Instead, it's based on H.P. Lovecraft's 'The Case of Charles Dexter Ward' (framed by few lines of Poe's poetry), which I also haven't read, so it was all new to me. Extremely visually accomplished and a perfect role for Price.

22. The Haunted Palace (1963), dir. Roger Corman, broadcast 13 May )
strange_complex: (Chrestomanci slacking in style)
This film came at the end of what had felt like a long week, so I was in something of a state of torpor on the sofa by the time it came on and don't think I really engaged with it very productively. But I also don't think the problem was entirely me - it just wasn't really up to much, and I'm afraid has only confirmed my existing view that few horror comedies really are.

20. The Comedy of Terrors (1963), dir. Jacques Tourneur, broadcast 6 May )

And the credits roll. That was well-shot, had some great stars (not the least of which was Orangey / Rhubarb the cat) and gave them some decent individual lines. But overall it's confirmed my view that horror-comedy usually fails on both fronts. #CellarClub #TheFilmCrowd
strange_complex: (Figure on the sea shore)
So, having finally got up to date with recording all my film-watching, I can transfer the tweets for the ONE film I watched last night here! It was a cracker, and indeed probably a lot better than I really captured given that I'd only just submitted an article and hastily cooked dinner in time to catch the beginning of the film.

18. The Tomb of Ligeia (1964), dir. Roger Corman, broadcast 29 April )

Absolutely loved that! A++ would watch again. A great film and a truly great way to unwind after a hard day's work. #CellarClub #TheFilmCrowd
strange_complex: (Nuada)
It's been a lovely weekend. I've done some errands, gone shopping, lounged about in [personal profile] lady_lugosi1313's garden, worked out some ideas for a lecture on Dracula I've been asked to deliver, eaten some lovely food and of course live-tweeted the latest Cellar Club film. Just the kinda stuff a girl can do when she's no longer devoting all her evenings and weekends to a largely hopeless cause! Anyway, talking of live-tweeting, I thought I'd get another few Twitter threads down here.

18. Sing-along-a-Wicker-Man in Sheffield, 20 November )

19. Island of Terror (1966), dir. Terence Fisher, broadcast 26 November )

20. A Candle for the Devil (1973), dir. Eugenio Martín, broadcast 10 December )
strange_complex: (ITV digital Monkey popcorn)
In September 2021, Talking Pictures TV launched the Cellar Club, a Friday-night horror / SF triple-bill introduced and hosted by Caroline Munro. Usually they start with a good solid classic, followed up by two more films which are - shall we say? - usually more deservedly obscure. For the first three weeks, the top-billed movies were Hammer's Golden Trinity: The Mummy, Dracula and Curse of Frankenstein (working through them in backwards chronological order of production for some reason). Combined with Caroline Munro hosting them, of course I was going to make the effort to watch those live. And, as I could see that lots of my friends were also talking about them excitedly on Twitter, somehow it felt right to live-tweet them during broadcast.

I don't usually live-tweet films. It's not really a great way to watch a film you haven't seen before, because half the time your eyes are on your device rather than the TV, so you miss visual details and quite often plot points too as you write about the last thing which happened. But I gradually realised there was a whole community of people watching and live-tweeting the top-billed Cellar Club film each week, led by the [twitter.com profile] TheFilmCrowd account. Soon I was not just tweeting my own thoughts into the void, but engaging with other people's and getting feedback on mine. So, although it's still not how I would watch a film I really wanted to engage with deeply, I've come to consider it a different but fun way of watching in its own right. I've also made a bunch of new Twitter friends that way and really enjoyed interacting with them, including between the live-tweets.

The whole thing has posed a problem for the way I record my film viewing in this journal, though. I've been writing at least something here for every film I've watched since 2007. It's a double-edged sword. On the one hand, it absolutely definitely means I don't watch as many films as I might if I didn't do it, because the 'cost' of watching any film is that I have to write an LJ / DW post about it. Although I tried to set a rule at the beginning that they didn't have to be extensive reviews, and just a record and quick reaction would be fine, that simply isn't what I'm like. I always have a lot of thoughts I want to record, which in turn becomes a burden. On the other hand, though, the knowledge that I'll need to write something down after watching has definitely made me more attentive to what I see, and the regular practice of articulating my thoughts has probably made me a better film critic. I'm pretty sure it's the reason why my Cellar Club live-tweets ended up getting me invited onto a live webcast to discuss Hammer films on Sunday.

But I've been struggling with what to do about the fact that I've been gaily watching all these films, and without yet 'writing up' a single one here. Initially I told myself these views 'didn't count', because I wasn't watching 'properly' (due to looking at my device half the time), and at least initially had seen the films before so had written up 'proper' reviews here on earlier occasions anyway. But increasingly as the Cellar Club moved onto films I hadn't seen before, including some I'd been meaning to watch for a while, that position has become unsatisfactory. And in any case, the very nature of the whole thing means that I do have a written record of each film anyway. That's what the live-tweets are! They just aren't here.

So, all this is by way of saying that I'm now going to perform the rather tedious (probably for both me and my subscribers) task of importing the content of these threads here, so that I can integrate them into the record of my other LJ / DW write-ups. Thankfully, every live-tweet is neatly threaded - something I did in the first place mainly to avoid swamping followers who weren't interested with a barrage of tweets about a movie they weren't watching. So my plan in each case is to link directly to the first tweet in the thread, which will mean I can see them again easily in their original context in future. But I'm also (this is the most tedious bit for me) going to copy and paste the content of each individual thread into the body of an LJ / DW entry, so that I don't have to go to Twitter for the details, and indeed I have an independent record in case some day Twitter ceases to exist. (More likely for LJ at the moment, but that's why I also use DW.)

Some of the individual tweets won't make sense any more out of context, even to me, but that's the nature of the thing. I reserve the right to quietly correct typos, break hashtags which I don't want LJ to replicate or insert editorial comments where I can remember the context and want to clarify it, and indeed to include a paragraph of prelude or commentary where I want to say a bit more here than was included in the original thread. It'll take a few entries over a few weeks, so sorry for the spamminess while that's happening. Each thread will always be under a cut anyway, so hopefully not too annoying. And then once I've brought things up to date, I can just keep up the habit on a weekly-or-less-frequent basis, and I'll be back to business as usual but with a better record of my film viewing. Phew!

12. The Mummy (1959), dir. Terence Fisher, broadcast 3 September )

13. Dracula (1958), dir. Terence Fisher, broadcast 10 September )

14. The Curse of Frankenstein (1957), dir. Terence Fisher, broadcast 17 September )

OK, that wasn't too bad actually. I think I can catch up in this way reasonably quickly. Probably not this week, as I'm going to Oxford on Thursday and need to pack for that tomorrow evening. But judging by this first experiment, it seems feasible and a reasonable compromise for the sake of my record-keeping. Cool.
strange_complex: (Me Mithraeum)
Dear Livejournal,

Happy birthday! It is ten years today since I first set you up. I didn't actually start writing entries here until the following April, but today is the day I joined the LJ community and started reading and commenting on other people's posts, so I think this is the date that counts.

You and I have changed a lot over the last ten years, and sadly not always in ways we probably would have chosen. Certainly, on my side, between parental health issues and appalling workplace mismanagement, the last six years of my life have been pretty shit, all things considered. I know it's naive to expect life to be in any way fair, and I have tried to make the best of things and not get angry and resentful about it all, but it's got to be said that I thought my thirties would be more about happiness and achievement than they have actually turned out to be. Still, you have been there for me all that time, whether I needed to write about the problems I've experienced directly, escape from them into various sorts of film- and television-related fantasy worlds, or (just occasionally) explore and express enthusiasm for new things. I wish there'd been more of the latter in particular, but I'm grateful for all of it.

As for you, the sad reality is that other social networks have chipped away at your userbase. Facebook offers ease of usage, other blogging platforms offer search engine visibility and a sense of professionalism, Pinterest makes sharing picture content quick and easy, Tumblr encourages collaborative discussions, and Twitter captures trends and breaking news and opinion in a way that you never could. As a ball-park figure, I think only about one quarter of the people on my friendslist are actually now active here in any way at all, and my stats tell me that my posts now rack up about 2/5 as many views apiece as they did five years ago. Inevitably, these things snowball, so that once people start drifting away there isn't as much left here to keep the remaining people interested, and in turn they drift too. What started as a slow but noticeable decline three or four years ago has definitely speeded up over the last two years.

And yet, somehow, here you still are in spite of it all. Just like me, in fact. What that tells me is that you still have something to offer which other social networks can't match. Obviously for any individual user, part of it is a combination of nostalgia, and the particular friendship connections we have here. But most of my LJ friendship connections are replicated on other social networks, and yet it obviously still seems worth it to me and to others to keep writing here. LJ allows long discursive writing and considered discussion threads, all of which other blog platforms can match. But where it has and keeps the edge, I think, is the ability to do all of that in a personalised format, addressed to a reciprocal audience of known and trusted friends - either pseudonymously or even completely privately.

Twitter and blogging platforms are largely predicated on the assumption that they are publicly visible and associated with known identities, while once-cool Facebook is now increasingly full of work colleagues and family members whose expectations of our personas may be restrictive - indeed, this is a recognised factor in driving teenagers off it. But LJ is both old enough and small enough to somehow have slipped under all of those nets. The fact that it is unknown territory to those who are anyway unlikely to 'get' it has always been part of its attraction. Certainly, I can write here about my parent and job woes in a way I wouldn't dream of on Facebook or Twitter, and I've seen many other LJ users coming here after long absences in similar circumstances. But it isn't just that. I can write long, self-indulgent film and TV reviews here which are about how I responded to a story, including expressions of extreme geekiness and digressions into my personal history, which I feel comfortable sharing here to a known (and often equally geekish) audience, but wouldn't want associated with my professional identity on a blog.

In short, I still love you LJ, and I don't intend to stop writing here any time soon. You are still an essential element in my online life, even if you're not the only one any more. In fact, I have made you a present in honour of our ten-year anniversary. See, I'm not saying everything I write here is cutting-edge essential content, but it matters to me and I do like writing it. I also think that one consequence of your drifting user-base is that there are people out there who might like to read some of it, but no longer even really know that I am posting here.

So I have finally done something I've been thinking I ought to do for a while. I have sifted through my Facebook friendslist, and put all the people who are or were once on LJ themselves, or who never were but whom I don't mind knowing about the sort of stuff I post here, onto a single 'LJ friendly' filter. From this entry onwards I am going to link to my public LJ posts from my Facebook feed, but filtered to that group only. Not, I think, the friendslocked stuff, but at least my film and TV reviews, and probably some general 'what I've been doing lately' updates too.

I hope you like it, and here's to the next ten years. I'll still be here if you are.

Lots of love,

Penny

Click here if you would like view this entry in light text on a dark background.

strange_complex: (Me Art Deco)
I wrote up my overall experiences curating the [twitter.com profile] PeopleofLeeds Twitter account a couple of weeks ago, and followed that up with a post containing some of the pictures I had shared of local Headingley landmarks. But the real theme of my week on the account was Art Deco Leeds, so this post rounds off the story by recording some of the pictures I shared on that topic. I'm not including absolutely every picture I took or tweeted here, as that would get a bit much, but these are the highlights of my Art Deco week.

Art Deco Headingley )

The University and city centre )

But the grand climax of my week was the Sunday, when I armed myself with my SatNav and a list of every other Art Deco building I knew of in Leeds, and drove around the city visiting and photographing each one )

Meanwhile, outside the sun set on my day of Art Deco, and my week as the Twitter face of Leeds. As I said in my previous post, it had its pros and cons, but the prompt to finally get myself organised and visit all these buildings systematically was very definitely one of the pros.

Click here if you would like view this entry in light text on a dark background.

strange_complex: (Penny Lane)
I wrote about my experiences curating the [twitter.com profile] PeopleofLeeds Twitter account earlier today, and said at the end of that post that I would share here some of the pictures which I posted to that account during my week, so that I have a more permanent record of what I did with it. This post contains some (though not all) of the pictures I took of non-Art Deco landmarks in Headingley during my week, and the things I said about them.

The no-longer original oak )

5, Holly Bank, one-time home of J.R.R. Tolkien )

The Cottage Road and Hyde Park cinemas )

Remants of the Victorian-era Leeds Zoological and Botanical Gardens )

None of the above photos are that great, of course, because they were taken with my phone camera, and I didn't usually have the luxury to be able to wait around for good weather, good lighting, no cars, etc. before I took them. But that's the nature of Twitter, and I think they did convey a good sense of what I like about my area.

Click here if you would like view this entry in light text on a dark background.

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