strange_complex: (Darth blogging)
This book presents a transcript of and commentary on a journal kept by Bram Stoker between 1871 and 1882, which was left by his wife Florence to their son Noel, and passed down from him to Noel Dobbs, Bram's great-grandson, who lives today on the Isle of Wight. It was clearly more of a commonplace book or writer's notebook than a personal diary of the kind Stoker's characters write in Dracula, and contains 310 entries consisting of ideas he's had, bits of poetry, scenes he's observed in daily life, stories and jokes people have told him etc. Indeed, it's not unlike the sort of stuff people put on social media these days, with one entry in particular which records his inner turmoil after a child has called him ugly striking me as particularly classic LJ / DW fare! Most date from his mid-twenties to early thirties when he was living in Dublin, working for the civil service and writing theatre reviews in the evenings, although a few reflect his transition to London to work for Henry Irving, which happened in 1878.

The editors, Dracula scholar Elizabeth Miller and Bram's great-great-nephew Dacre (whom I went to hear speak last November: LJ / DW), present the entries thematically, under headings such as 'Humour', 'Personal and Domestic', 'The Streets of Dublin', 'Theatre', etc., rather than in the order presented in the original book, which I wasn't sure about at first. But I realised as I read that since this isn't a diary, the entries don't build on each other in any meaningful way, many of them aren't dated and indeed several seem to have been copied into the book from other sources (presumably scraps of paper) some time after they were written, there was no very compelling reason to present them in their original order. Meanwhile, grouping them thematically (but in their original order within that theme) does create some sense of how Bram's life and thinking evolved over time in different areas, and perhaps more importantly allows scope for an editorial introduction to each section contextualising and commenting on the notes. These are substantial (ten or more pages each for nine different sections, as well as an overall introduction and coda), so that they add up to what is almost a biography of Bram during his Dublin years, and indeed supply a lot of the sort of detail which I wanted and was disappointed not to get from David Skal's biography when I read it recently (LJ / DW). As such, I learnt plenty from them and enjoyed doing so.

Bram's actual journal entries are certainly fascinating if you're interested in the evolving thought-processes of the man who would go on to write Dracula. There is a (shortish) section entitled 'En Route to Dracula' which documents the emergence of his Gothic sensibilities, such as a memo to himself to do a dramatic adaptation of Poe's 'Fall of the House of Usher' or a couple of jottings for story ideas which relate to motifs later used in Dracula. But they are interesting for general social history too, as a record of the life and thoughts of a middle-class Victorian Dubliner. We learn quite a lot about his social life, work life and the general comings-and-goings of contemporary Dublin, which of course include quite a lot of obvious deprivation and inequality. Indeed, precisely because he was an aspiring writer, honing his skills as an observer of human life and capturing scenes and interactions which he found in some way striking or poignant, he is probably a better-than-average witness to his surroundings. I will confess that I only skim-read most of his sentimental and generally-mediocre poetry, and didn't always find the jokes and anecdotes he wrote down particularly funny, but in general I found him genial company, and am glad to have absorbed a slightly more rounded picture of him - not to mention a couple of little insights into his knowledge of the ancient world which will be useful for my Classical references in Dracula paper.
strange_complex: (Dracula Risen hearse smile)
I have been doing lots of cool Dracula-related things lately, but until now haven't had the chance to write them up. They really need it though, as I will definitely want to remember them. So for today this is what I did two weeks ago at the Fourth World Dracula Congress - the latest in a series of ad hoc academic conferences on Dracula which began in Bucharest in 1995.

I wasn't actually sure I would be able to go to this until quite late in the day, as it was scheduled for a Thursday and Friday during term-time, but Friday is our regular research day anyway, and as luck would have it a lecture which I deliver fortnightly on Thursdays did not fall in that week. So off I went! Obviously the choice of Dublin for the venue reflected its status as Bram Stoker's birthplace, and indeed I had already made sure to visit his houses on my previous visits to the city: one of which in 2014 I managed to write up on LJ, and the other of which in 2015 I don't seem to have done, but involved visiting his childhood house on the edge of the city. Indeed, the whole conference actually took place in the same venue as the Augustan poetry conference which was the reason for me going over in 2014: the Long Room Hub on Trinity College campus. It was quite strange operating in the same venue but in a rather different capacity: last time academic, this time fannish. But that distinction only held true for me personally. The conference as a whole was very much an academic event, and indeed more so than I'd expected really. Every paper I heard was strong, and some represented really significant steps forward in our knowledge of Dracula: the novel, its author and the rich mythos behind it all. I'll highlight the two which that most held true for first, and then sketch out the others a little more briefly and by theme.

The first highlight paper was by Hans de Roos on Makt Myrkranna, the Icelandic 'translation' of Dracula )

My second highlight paper was by Paul Murray, author of 'From the Shadow of Dracula: A Life of Bram Stoker', which was initially published in 2004 but released in an updated edition in 2016 )

So those two papers between them were worth the price of admission alone. But then there were lots of other awesome papers! I have grouped them into themes, which in some cases reflect the way they were grouped for the conference, but in others do not. This is just how they come together for me.

Biographical papers )

Literary papers )

Papers on place )

Papers on Dracula from a Romanian perspective )

Papers on historically-attested 'vampire epidemics' in eastern Europe )

And then of course as if the conference were not enough, I also thoroughly enjoyed my third visit to Dublin in as many years. My main companion was Julia, chair of the London-based Dracula Society (i.e. the people I went to Romania and Geneva with), with whom I shared a room at Stauntons on the Green, a pleasant autumnal walk across a park from the city centre. We enjoyed several nice meals together, tried various Irish whiskies, met up with Julia's friend Brian Showers of the Swan River Press who organised a Ghost Story Festival in Dublin earlier this year, took a tour of Trinity campus including its splendid Long Room, and popped into Sweny's chemist, a historical pharmacy which features in James Joyce's Ulysses and is now run by volunteers as a literary centre and site of historical interest. Plus, after Julia had departed for her earlier flight, I mooched around Dublin a little more on my own, tracking down Sheridan le Fanu's house and buying a jolly nice new pair of flares. I close with a few photos of the sights of Dublin )

Click here if you would like view this entry in light text on a dark background.

strange_complex: (Asterix Romans)
Well then. For what it's worth, after the initial disbelief and disappointment, my basic response to the referendum result is the 'rolling up my sleeves and getting on with it' one. I won't be at all sorry if for one reason or another we never actually do end up leaving the EU - e.g. if the country ends up in such a deep economic, political and / or constitutional mess that Article 50 is never invoked. But I'm not pinning my hopes on that, and I'm certainly not signing any petitions calling for a new referendum under different rules (though I don't at all mind other people signing that petition as a way of registering the extent of disappointment and anger in the country). Rather, I now want to focus on trying to make this country the best place it can possibly be, given the hand we are now holding.

[That said, I think I will have a go at claiming the Irish (and therefore EU) citizenship to which I am perfectly entitled by dint of having an Irish grandmother - though it won't be a trivial process. As far as I can tell, I'll need no less than nine original copies of birth / marriage / death certificates and certified passports, including one (the original birth certificate on which the whole thing rests) which would have been issued in County Sligo in (I think) 1912. Yikes!]

Anyway, going back to making this country the best place it can possibly be, living through the entire referendum process has certainly done a lot to reaffirm my liberalism. Two main issues stand out, both connected, and both of which strongly reinforce (for me) the essential core of liberalism - a concern with excessive concentrations of power, and a desire to break them down and redistribute it.

Firstly, the power concentrated into the hands of people like Paul Dacre and Richard Desmond. For decades now, newspapers like the Daily Mail and Daily Express have been publishing front-page lies and hatred about both immigrants and the EU, while inadequate bodies for press regulation have failed to challenge them, and, on the rare occasions when they were were successfully challenged, they have only needed to publish retractions in tiny print on the inside pages of the papers. Meanwhile, the requirement on the broadcast media to provide balanced political coverage is interpreted as an instruction to give equal air-time to voices on either side, rather than to challenge lies themselves or identify any kind of prevailing consensus. This approach has been characterised by some as "Shape of the Earth: views differ".

At first sight, it may seem illiberal to restrict the freedom of the press, but the press is in any case not currently free from powerful individuals seeking to propagate lies for their own financial or political gain. More fundamentally, a democracy (which is a tool for distributing political freedom) cannot function properly if the people who live in it do not have access to accurate and impartial information on which to base their voting decisions. See e.g. Russia or North Korea for details. And it is very clear indeed that in this referendum (as also in the AV referendum five years ago), people voted on the basis of claims which were untrue, while any attempts by moderate people to counter those claims, or the decades worth of misinformation and bigotry which they tapped into, were hopelessly drowned out by the power of the tabloid press. If that press had been properly regulated years ago, this might not have happened.

Secondly, the power concentrated into the hands of the 'big two' political parties by our First Past The Post voting system. One of the most common arguments against proportional political systems is that they allow members of extremist parties to win seats at elections. But in my view, this is a good thing. Once a party's representatives have been elected to office, they are subject to the white light of accountability. If they implement policies which turn out to be disastrous, or fail to deliver on their promises, they will lose their popularity and be voted out again. In my view, we would be much better off today if UKIP had started winning council seats and parliamentary seats in serious numbers twenty years ago. Then, people might have had the chance to discover that they are a bunch of self-interested con-merchants while the damage they could inflict was still relatively limited, and before we arrived at the almighty mess we are in now.

Furthermore, most proportional voting systems, but especially the Single Transferable Vote, make politicians much more accountable to the electorate than FPTP. Safe seats largely disappear, parties campaign meaningfully against one another in all parts of the country, and voters can choose between individual members of the same party, based on nuanced preferences (e.g. liking Blairite Labour candidates but not Corbynistas), without harming that party's overall political prospects. I believe that if we had been using STV already for decades, the main parties would not have been able to get away with parachuting their favoured candidates into seats where voters were not being presented with any meaningful alternative option. Then, we would not have the huge yawning gap between the electorate and their supposed representatives which seems to have contributed to enough of that electorate deciding to use the EU referendum to deliver them a kicking in return for years of neglect and dismissal. Under STV, parties would have had an incentive to develop real solutions to the problems which older working-class voters are trying to express, rather than just telling them it's all the fault of immigrants and the EU. Even UKIP would probably have evolved into a more responsive, solution-focused party, rather than the fantasists they are.

If you've been nodding along while reading the above, and would like to help solve these problems for the future, here are some things you could do (if you haven't already):

1. Join Hacked Off, who are campaigning for a free and accountable press. It's free to sign their declaration or sign up for campaign bulletins, though of course they would love donations too.

2. Join the Electoral Reform Society, Unlock Democracy and / or Make Votes Matter, all of which are campaigning in different ways and with different emphases to improve our political system. It's £24 p.a. (or less for concessions) to join the ERS and Unlock Democracy, and free (though again donations welcome) to join Make Votes Matter.

3. Join the Liberal Democrats. I know we're far from perfect. We too have floundered in the white light of accountability. But we are the only political party in the UK which stands fundamentally and explicitly for the liberal principles I have discussed above. If you'd like to know more about what we think we stand for, read the preamble to our constitution. The final paragraph (beginning "Our responsibility for justice and liberty cannot be confined by national boundaries...") explains why we have always been, and will always remain, committed to collaborative international organisations like the EU.

4. Join any other political party. Yes, even UKIP (though I hope you'll prefer not to). Because the more people in this country are members of political parties, the smaller the gulf and the better the dialogue between politicians and the electorate.

Click here if you would like view this entry in light text on a dark background.

strange_complex: (Penny Arcade)
IMDb page here. Watched at home on TV.

Bit of an exaggeration to say I 'watched' this as such. Rather, it was on while I was learning how to use the new phone I got yesterday afternoon (about which more in other posts). Nonetheless, I was in the same room while it was playing for the whole duration of the film, and more or less followed the plot.

Basically, it's a touching family film set in Dublin in 1953 with Pierce Brosnan (*woof!*) as a down-at-heel father who's lost his kids after his wife walked out on them, and has to fight in the Supreme Court and change Irish law to get them back. Having just looked it up on IMDb, I can report that the official tag-line is actually - and I am not making this up - "The story of a father's love that changed a nation." Says all you need to know, really.

Best bits: Pierce Brosnan; all the Irish accents.

Worst bits: gushing sentimentality; gratuitous use of Christmas to increase the latter; implausibility with which a hot-shot yankee lawyer is portrayed deciding to help a drunken, semi-employed Irish guy fight for his children.

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