Round 152 Has Ended
Sunday, 6 July 2025 20:01![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I used to do SFX and my first job out of university was a shock to me because I realized motorbikes and gunshots on screen didn't sound like actual motorbikes or gunshots. I suddenly realized the studio's collection of 100 000 sound effects was useless without the experience to know which 50 effects the audience had been conditioned to accept as authentic by other films. And then there as the foleying that I helped with, in which a man kneeing a watermelon doesn't sound like a Hollywood effect, a real punch to the face doesn't sound like a Hollywood effect, but a man kneeing a watermelon with olive oil on his leg sounded "right" for reasons I can't explain.
Something I appreciate in the filming of movies is when the actors are actually shouting in loud environments (nightclubs, windstorms) because they're recorded in silence and the music/wind is added later. What this usually results in is the audio being loud to establish it's loud, then the SFX editor has to radically drop the levels because the actors have been recorded talking in their normal voices. I appreciate it when the director gives them directions to act like they're in a loud place. I was on a set once where the director had the actors put earplugs in so they HAD to yell (everyone in the scene had long hair or were given weird hats to hide the ear plugs).
Anyways, I'm watching Bullet Train Explosion right now and they just used the Wilhelm scream for a student getting punched. I had to burst out laughing because, well, it sounds right when someone falls off a cliff, not when someone falls over a train seat.
![]() | When I was 12 years old (15 years ago) I saw a scene of this move, I don´t remember if it is french or german but it is definitively european, the problem here is that the movie is so rare, I have looking for it all of these years but I have never found it. It original name is "Applesinpiken" and it is based on a book with the same name, so, does anyone know where could I see it? [link] [comments] |
Preferably Chinese, though any great Asian film will do. I'm looking for movies that were both filmed and set in the '90s (not one or the other). I've looked up some lists and they're mostly populated with martial arts, horror, and/or cop/gang movies, but those arent quite what Im looking for. I'd really like something slice of life or dramatic that really captures the overall zeitgeist of the country in that decade. Any suggestions?
How are you doing?
I am OK
1 (50.0%)
I am not OK, but don't need help right now
1 (50.0%)
I could use some help
0 (0.0%)
How many other humans live with you?
I am living single
0 (0.0%)
One other person
1 (50.0%)
More than one other person
1 (50.0%)
![]() | submitted by /u/BunyipPouch [link] [comments] |
![]() | I’ve been obsessed with the cultural shockwave that The Day After (1983) created for quite a while. A made-for-TV movie that somehow ended up scaring the hell out of hundreds of millions people and left Ronald Reagan “greatly depressed”, leading to him rethinking the nuclear arms race. After weeks of research, I was lucky enough to speak with director Nicholas Meyer himself, plus the PR mastermind behind the film, Josh Baran, who helped turn it into one of the most talked-about broadcasts in American history. It feels like this story is somehow just as relevant now as it was back then. Would love to hear your thoughts and I hope you enjoy! [link] [comments] |
Laudator Temporis Acti presents a set of translations of Horace, Epistles 1.20.5, “addressing his soon to be published book”:
Indulge the fond Desire, with which You burn,
Pursue thy Flight, yet think not to return. (Philip Francis)Well, you’re keen to be off. Goodbye. (Niall Rudd)
Off with you, down to where you itch to go. (H. Rushton Fairclough)
But off you go, down where you’re itching to go (David Ferry)
But follow your urge for a come-down (Colin MacLeod)
Vete, pues a donde tan ansiosamente deseas ir (Alfonso Cuatrecasas)
Foge para onde estás louco por descer (Frederico Lourenço)
Vai, scappa a precipizio dove hai tanta voglia (Enzo Mandruzzato)
Fuggi pur dove sogni di scendere (Luciano Paolicchi)
Va donc où tu brûles d’aller. (Ch.-M. Leconte de Lisle)
Flieh, wohin du Lust hast hinabzusteigen (Epstein)
I’ll add a Russian version (I can’t find the translator’s name): Ну что же, ступай, куда хочешь! [Well then, go wherever you want!] But Roland Mayer provides a “dissenting voice”; in his commentary he says:
Fuge quo avoid (10.32n.) the place to which …; the verb cannot imply dismissal yet, but it gives a warning. descendere ‘to go down (to a place of business or other activity)’ (OLD 4).
10.32 fuge magna ‘avoid (OLD 10) anything grand’, fuge echoes fugitivus 10[…].
Correspondingly, John Davie has “Avoid the place you are so eager to go down to”; again, I’ll add a Russian equivalent, Nikolai Ginzburg’s Избегай, куда тянет, спуститься [Avoid going down to the place you are drawn to]. Eric Thomson, who provided the quotes, says “My opinion’s not worth a fig, but I don’t find Mayer wholly convincing except in so far as there have may been for the Roman reader/listener a jolt of ambiguity, one that would underline how pained a bon voyage it was”; my opinion is worth even less, but I enjoy this kind of dissection of the semantics of verse.
In almost every movie there is a random line or joke that isn’t necessarily there to add anything to the plot or character development but is just thrown in as filler. The one listed in the title is from Annie Hall, delivered by a then unknown Jeff Goldblum, speaking on a telephone as the main characters enter the building. Others that stick out to me:
“I’ll have what she’s having” - When Harry Met Sally
“Hey Malkovich, think fast!” - Being John Malkovich
“It’s not going to be a boring soup! Onions and carrots are just the base of a soup!” - Grosse Pointe Blank
What other throwaway lines have stuck with you over the years?
I recently watched Robot Dreams and assumed it would have a happy ending but it didn't and it made me very angry. It didn't feel poignant to me, only wrong. I thought it was a kids' movie about friendship but it's actually an adult movie about romantic relationships. Because friends can have multiple friends and don't need to move on just because they haven't seen someone in a while.
What's a movie you saw that had an unexpected ending? Did you like it or dislike it?