11. Graham Greene (1938), Brighton Rock
Sunday, 9 September 2007 15:20![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I interrupted reading this book in July to read Harry Potter and the Half-Blood Prince in preparation for the release of Harry Potter and the Deathly Hallows, and then interrupted Half-Blood Prince in turn when I still hadn't quite finished it on release night. So for a while there, I had three books on the go at once, nested within each other - not something I normally do. I also actually finished reading it before going on our canal holiday, but just haven't had time to write it up before now.
Despite the interruptions, though, I enjoyed it very much, and didn't have any problem slotting straight back into the world of the novel when I returned to it. Greene manages to write with such compelling and convincing detail that the reader not only sees everything he describes, but feels it all as well. I'm sure I would recognise any of the characters from this novel if I met them in the street - and not only that, but I would feel as though I knew them intimately too.
I think my favourite aspect of his writing is the way his language manages to be fresh and unpredictable without getting pretentious or over-the-top. Here's a good example of what I mean:
I've yet to read a Greene novel I haven't liked, and will continue to work my way through his oeuvre as time goes on. To that end, I list here all of his novels which I've read so far, in the approximate order I read them, so that I can check back against it if necessary:

Despite the interruptions, though, I enjoyed it very much, and didn't have any problem slotting straight back into the world of the novel when I returned to it. Greene manages to write with such compelling and convincing detail that the reader not only sees everything he describes, but feels it all as well. I'm sure I would recognise any of the characters from this novel if I met them in the street - and not only that, but I would feel as though I knew them intimately too.
I think my favourite aspect of his writing is the way his language manages to be fresh and unpredictable without getting pretentious or over-the-top. Here's a good example of what I mean:
Nine o'clock in the morning: he came furiously out into the passage; the morning sun trickled in over the top of the door below, staining the telephone.There, the word 'staining' is surprising enough to make you notice it and think about it - but it's not intrusive or forced, because it also instantly makes you think "Yes. Yes of course, that's so right - that is what light does as it touches a dusty, half-shadowed surface." Plus it picks up beautifully on the themes of innocence and sin, shadowiness and scrutiny which run through the course of the novel. Incredible stuff.
I've yet to read a Greene novel I haven't liked, and will continue to work my way through his oeuvre as time goes on. To that end, I list here all of his novels which I've read so far, in the approximate order I read them, so that I can check back against it if necessary:
- The Power and the Glory
- The Human Factor
- A Burnt-Out Case
- Stamboul Train
- The End of the Affair
- A Gun for Sale
- Brighton Rock
