Date: Monday, 16 August 2010 16:48 (UTC)
My reaction to the nightclub exteriors (shot in studio) was that they reminded me very much of the recreation of 1960s Soho in Our Friends in the North, and so to me demonstrated a sort of reflexive authenticity.

For all my admiration of the John Wiles/Donald Tosh era of Doctor Who, the brief stopover to collect Dodo conceded that there was a need to occasionally drop anchor in the present day despite their assumption that the programme couldn't do so without undermining its entire appeal. I suspect Lloyd and Davis intended this would happen once a year, to change companions, though this didn't go as planned the next year.

Returning to the point about the companions, I'm reminded that Wiles and Tosh, after devising the character of Katarina, decided to make her short-term because of the problems of dramatising a non-contemporary companion's reaction to TARDIS travel over a long period as the production baton is passed from writer and director to writer and director. Subsequent producers and script editors were less bothered by this when it came to Jamie and Victoria; though by this time I'd argue that the second Doctor can act as an identification figure for the 1960s audience in the way that the Hartnell Doctor can't.

I'm going to have to assemble these thoughts and write them up on my own LJ, I think...
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