7. Margaret Atwood (2005), The Penelopiad
Tuesday, 12 June 2007 20:30![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I read this book because a) it is about me my mythological namesake, b) my Mum bought it for me two Christmases ago, knowing that it would appeal to me for that reason, and c) I've always vaguely thought I ought to read something by Margaret Atwood.
It's basically Penelope's side of the story, as the title suggests. She is the narrator, speaking from the Underworld, and she tells us how she felt, what she knew when and why she did what she did from her childhood up to the return of Odysseus. There's a special emphasis on the twelve household maids which Telemachus hangs on Odysseus's orders at the end of Book 22 of the Iliad. In Homer, they've been rude and insolent to Eurycleia (Odysseus' childhood nurse) and Penelope, and have slept with several of the suitors. In The Penelopiad, they were Penelope's secret eyes and ears about the house, and most of them had been raped. So Atwood sets out to tell their side of the story, too - and in particular breaks up Penelope's narrative with a series of Greek-style dramatic Choruses, delivered by the maids in formats ranging from the ballad and the sea shanty to the idyll and the court-room trial.
Thing is, that's about it. That's the plot and structure of the book, it's all done perfectly plausibly and readably, and I really don't have anything much else to say about it. There wasn't really anything in it which surprised me, wowed me or challenged me. Well, there was one of the Maids' Choruses, done in the style of an anthropology lecture, where I had to grit my teeth a bit as I was presented with a reading of Odysseus' return as the over-throw of a matriarchal society led by Penelope - an interpretation which Atwood credits in her closing note to Robert Graves' famously *koff* 'creative' The Greek Myths. But apart from that, it was fine. Just fine. Did exactly what it said on the tin.
I suppose I was hoping for something a bit more epic and creative. Maybe the problem is that Penelope - much as I would wish otherwise - is not really the most exciting of characters. Atwood chooses to keep her basically in line with Homer's characterisation, apart from having hidden feelings and motives which Homer and his male characters overlook. So alternate possibilities like her becoming the mother of Pan are out of the window, and you're left with a pretty passive heroine, really - even if you do grant her intelligence that Homer doesn't.
Oh well - anyway, I've read it now. Whether I'll read more Atwood is likely to depend on whether anyone particularly persuasive attempts to talk me into it or not.

It's basically Penelope's side of the story, as the title suggests. She is the narrator, speaking from the Underworld, and she tells us how she felt, what she knew when and why she did what she did from her childhood up to the return of Odysseus. There's a special emphasis on the twelve household maids which Telemachus hangs on Odysseus's orders at the end of Book 22 of the Iliad. In Homer, they've been rude and insolent to Eurycleia (Odysseus' childhood nurse) and Penelope, and have slept with several of the suitors. In The Penelopiad, they were Penelope's secret eyes and ears about the house, and most of them had been raped. So Atwood sets out to tell their side of the story, too - and in particular breaks up Penelope's narrative with a series of Greek-style dramatic Choruses, delivered by the maids in formats ranging from the ballad and the sea shanty to the idyll and the court-room trial.
Thing is, that's about it. That's the plot and structure of the book, it's all done perfectly plausibly and readably, and I really don't have anything much else to say about it. There wasn't really anything in it which surprised me, wowed me or challenged me. Well, there was one of the Maids' Choruses, done in the style of an anthropology lecture, where I had to grit my teeth a bit as I was presented with a reading of Odysseus' return as the over-throw of a matriarchal society led by Penelope - an interpretation which Atwood credits in her closing note to Robert Graves' famously *koff* 'creative' The Greek Myths. But apart from that, it was fine. Just fine. Did exactly what it said on the tin.
I suppose I was hoping for something a bit more epic and creative. Maybe the problem is that Penelope - much as I would wish otherwise - is not really the most exciting of characters. Atwood chooses to keep her basically in line with Homer's characterisation, apart from having hidden feelings and motives which Homer and his male characters overlook. So alternate possibilities like her becoming the mother of Pan are out of the window, and you're left with a pretty passive heroine, really - even if you do grant her intelligence that Homer doesn't.
Oh well - anyway, I've read it now. Whether I'll read more Atwood is likely to depend on whether anyone particularly persuasive attempts to talk me into it or not.

no subject
Date: Tuesday, 12 June 2007 21:03 (UTC)Oh, heavens. Of all the Atwood I've read, The Penelopiad is undoubtedly the weakest. Go and find yourself a copy of The Handmaid's Tale, pronto. Or else I might cry.
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Date: Tuesday, 12 June 2007 21:19 (UTC)no subject
Date: Tuesday, 12 June 2007 21:25 (UTC)no subject
Date: Tuesday, 12 June 2007 21:31 (UTC)Incidentally, I share your cringe at the social-science-anthropology version of the Maids' Chorus ;)
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Date: Tuesday, 12 June 2007 21:35 (UTC)Yes, that was a bit of a WTF moment! I just pray she meant it in an ironic, deconstructive manner.
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Date: Wednesday, 13 June 2007 08:24 (UTC)no subject
Date: Wednesday, 13 June 2007 09:24 (UTC)no subject
Date: Tuesday, 12 June 2007 21:16 (UTC)I discovered today to my great delight that gerbils were named after a character in the Iliad (http://en.wikipedia.org/wiki/Meriones).
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Date: Tuesday, 12 June 2007 21:29 (UTC)I was a bit confused about your gerbils for a minute there, as I didn't remember any character called Pinchippus... but I see what you mean now I've followed the link!
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Date: Wednesday, 13 June 2007 12:40 (UTC)no subject
Date: Tuesday, 12 June 2007 21:40 (UTC)no subject
Date: Tuesday, 12 June 2007 21:44 (UTC)You're very welcome to borrow The Penelopiad - I'll put it together with the book and DVD I borrowed from you, and try to remember to give them all to you some time!
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Date: Tuesday, 12 June 2007 22:19 (UTC)I'll lend you "the handmaids tale" if you like it I think I've got "cats eye" and "the robber bride" somewhere as well. But I;ll just lend you "handmaids tale" first
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Date: Wednesday, 13 June 2007 08:32 (UTC)Her specialty is heart-aching female biographies, commenting on relationships and identity and socio-cultural expectations, this vast, beautifully woven tapestry all about joy and sorrow and what it is to be human. When she tries to be gimmicky (as with the Penelopiad, Oryx and Crake, and her shorter novels like Life Before Man and Surfacing, she ends up letting the punch of the gimmick destroy all the subtlety of her observations and prose, and you're left feeling profoundly unsatisfied. But the longer novels - which have all the beauty, power and melancholy of those dreams you used to have where you'd live an entire lifetime in one night - are absolutely unmissable.
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Date: Wednesday, 13 June 2007 08:56 (UTC)"Cats eye" is good, though I must confess I've not read "The Blind Assassin" or "Oryx and Crake". Mind you, the first book I read of hers was "Surfacing" for English A level, so it's a wonder I bothered to seek out any of her others : )
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Date: Wednesday, 13 June 2007 09:17 (UTC)no subject
Date: Wednesday, 13 June 2007 12:08 (UTC)no subject
Date: Wednesday, 13 June 2007 12:39 (UTC)no subject
Date: Wednesday, 13 June 2007 14:55 (UTC)no subject
Date: Wednesday, 13 June 2007 15:13 (UTC)no subject
Date: Wednesday, 13 June 2007 15:22 (UTC)It might just be a case of recommending books we like, rather than an actual read and discuss, it'll depend on how busy everyone is but I'll certainly let you know.
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Date: Wednesday, 13 June 2007 14:19 (UTC)no subject
Date: Wednesday, 13 June 2007 14:51 (UTC)In fact, I just had to buy some more marge piecy books, because I've run out of ones to read!
yes
Date: Tuesday, 12 June 2007 22:22 (UTC)and if you are into a round of themed works whilst reading it I recommend
in this order
The Communist Manifesto
Herland
The Dispossessed
Woman on the Edge of Time
The Wanderground
The Handmaid's Tale
Re: yes
Date: Wednesday, 13 June 2007 08:51 (UTC)no subject
Date: Wednesday, 13 June 2007 07:33 (UTC)I haven't read The Penelopiad yet (I seem to have got a long way behind with Atwood over the last few years), but would definitely second (or third, fourth or fifth) the recommendation of The Handmaid's Tale.
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Date: Wednesday, 13 June 2007 09:21 (UTC)Meanwhile, it looks like I am being lent The Handmaid's Tale, so maybe my opinion of Atwood will be rescued from this blow after all.
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Date: Wednesday, 13 June 2007 09:30 (UTC)The Handmaid's Tale is extremely good. It is also, if anything, even more plausible now than it was when it was written. I would also second the recommendation for Marge Piercy's Woman on the Edge of Time, which I would offer to lend to you if I wasn't currently without a copy, having lent the second one I bought to someone ages ago...
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Date: Wednesday, 13 June 2007 10:18 (UTC)Hmm, that's pretty normal in a society where marriages are used as a way of allying two powerful families, though. It's also how Oedipus gains power in Thebes, and the reason why imperial women were so important in Rome. Marrying a member of the established ruling family gives you legitimacy, and makes it look as though you have been accepted into the circles of power. Bumping off the legitimate heir merely makes you look like a war-lord, and leaves you wide open to challenge from others.
why Odysseus's father is still alive
Yes, that's an interesting aspect of the story, and certainly reflects a rather different idea of dynastic succession from the one we understand today. However, it certainly isn't proof of matrilineal succession, because Odysseus' mother, Anticleia, is also still alive when he sets out for Troy, yet he is already recognised as king. See the fifth paragraph down in this translation of book 11 (http://classics.mit.edu/Homer/odyssey.11.xi.html).
As for figures such as Nausicaa - yes, she's one of many examples which show that the role of women is being explored and examined in the Odyssey. But many of Euripides' and Aristophanes' plays do the very same thing in late fifth century Athens. It doesn't mean any of these people are transmitting remnants of a real matriarchal society - only that the notion that women might break out of their established social roles was a very real fear in this context.
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Date: Wednesday, 13 June 2007 10:20 (UTC)no subject
Date: Wednesday, 13 June 2007 10:40 (UTC)no subject
Date: Wednesday, 13 June 2007 11:00 (UTC)God, I know! It doesn't do to actually count up the years since school / Uni / whatever any more, does it? Better to just say 'a few years ago', I find!
Anyway, at least your seminar tutor had his own distinct reading of the Odyssey. He makes me want to argue with him, whereas Atwood just left me saying 'meh'. I think that if she'd gone all out for an ultra-feminist, matriarchal reading, I might actually have respected her more, since at least she'd have been doing something powerful and challenging with the story. As it was, her take just seemed kinda weak and unimportant to me.
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Date: Wednesday, 13 June 2007 08:47 (UTC)You really *must* read The Handmaid's Tale though.
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Date: Wednesday, 13 June 2007 09:22 (UTC)And don't worry - someone's lending me The Handmaid's Tale!
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Date: Wednesday, 13 June 2007 11:40 (UTC)modern versions of ancient myths
Date: Wednesday, 13 June 2007 18:05 (UTC)I've forgotten all the details, but I seem to recall this is one book in a series put out by a publisher whose name eludes me for the time being.
The first volume in the series was by Karen Armstrong. Not one of her best. She seemed to depend on scholarly commentaries rather than personal insight - and you can't really know anything true about myths until you have experienced them.
The second volume in the series is by Jeanette Winterson. It's brilliant. Do get hold of it if you pssibly can.
I too found the Attwood rather less than completely captivating. But maybe that was something to do with reading it after I'd so much enjoyed the Winterson.
Re: modern versions of ancient myths
Date: Wednesday, 13 June 2007 18:20 (UTC)It's good to hear the Winterson one is a success. As I commented above to someone else, I think part of the problem with the Atwood one may be the very fact that it was commissioned, rather than being her own passionate idea. But it's good to know that another author flourished in the same circumstances.
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Date: Thursday, 14 June 2007 09:20 (UTC)