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strange_complexThe trouble with Gothmas (i.e. Halloween) is that so many awesome spooky shows of various kinds get put on at that time of year, and inevitably they all clash with one another, making it impossible to go to all of them. One of the two shows I went to this year only floated across my radar fairly late, but when ![[twitter.com profile]](https://p2.dreamwidth.org/e0caa790ec10/-/twitter.com/favicon.ico)
hickeywriter got in touch to say that Nunkie (aka Robert Lloyd Parry) was performing two M.R. James stories in Leeds Library on Gothmas Eve, I knew I should go. It nearly didn't happen because, with so much else on at the moment, by the time I went to the website to book tickets for me and lady_lugosi1313 they had sold out! But luckily she is pally with the staff at Leeds Library, and there turned out to be a few no-shows anyway, so we got in.
I was so glad we had! I have been to see Nunkie perform more times than I can remember now - a lot will show up via my M.R. James tag, but not all as I haven't blogged them systematically. Sometimes when a performance is coming up, at this point often of stories I've seen him do before, I wonder whether it's worth going again, but this show reminded me of why the answer is yes. It's not like repeatedly watching the same DVD recording (though I'm by no means against that) - he is a living, evolving performer who is just getting more and more out of the material as time goes by.
This time, we had 'The Ash Tree' first, during which he drew documents out from an archival box to 'read' them to us as testimonies of the events reported, as utterly naturalistically as though this were a real endeavour, chattered cheerfully about the practice of the Sortes Biblicae and got incredible value out of his hand, a candle and a simple slap on the table to represent the hairy spider-creatures from inside the ash and the soft plump as they fell to the floor. Perhaps best of all, though, was his physical acting-out of Sir Matthew Fell's contortions in his bed, which in the dim light of the single candle looked genuinely almost inhuman to me.
Then followed 'Oh Whistle And I'll Come To You', during which he elicited appreciative chuckles with his descriptions of golf and the various rather unlikeable characters of the story, before making us see perfectly the shape of the Templars' preceptory where the whistle is found, the shape and movements of the figure on the sea-shore and of course its crumpled linen face, helpfully represented by a pocket-handkerchief. I was on the edge of my seat in rapt attention and wonder throughout pretty much all of both stories, and will very definitely make sure I remember to keep coming back for more in the future.
lady_lugosi1313 they had sold out! But luckily she is pally with the staff at Leeds Library, and there turned out to be a few no-shows anyway, so we got in.I was so glad we had! I have been to see Nunkie perform more times than I can remember now - a lot will show up via my M.R. James tag, but not all as I haven't blogged them systematically. Sometimes when a performance is coming up, at this point often of stories I've seen him do before, I wonder whether it's worth going again, but this show reminded me of why the answer is yes. It's not like repeatedly watching the same DVD recording (though I'm by no means against that) - he is a living, evolving performer who is just getting more and more out of the material as time goes by.
This time, we had 'The Ash Tree' first, during which he drew documents out from an archival box to 'read' them to us as testimonies of the events reported, as utterly naturalistically as though this were a real endeavour, chattered cheerfully about the practice of the Sortes Biblicae and got incredible value out of his hand, a candle and a simple slap on the table to represent the hairy spider-creatures from inside the ash and the soft plump as they fell to the floor. Perhaps best of all, though, was his physical acting-out of Sir Matthew Fell's contortions in his bed, which in the dim light of the single candle looked genuinely almost inhuman to me.
Then followed 'Oh Whistle And I'll Come To You', during which he elicited appreciative chuckles with his descriptions of golf and the various rather unlikeable characters of the story, before making us see perfectly the shape of the Templars' preceptory where the whistle is found, the shape and movements of the figure on the sea-shore and of course its crumpled linen face, helpfully represented by a pocket-handkerchief. I was on the edge of my seat in rapt attention and wonder throughout pretty much all of both stories, and will very definitely make sure I remember to keep coming back for more in the future.
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