New Who 12.8 The Haunting of Villa Diodati
Sunday, 16 February 2020 20:46What a pity Doctor Who wasn't broadcast in the autumn this year, as this episode would really have suited a slot around Halloween. Still, the evenings are dark and the weather dismal all the same, and it delivered an excellent dose of Gothic horror, as well as one of the more historically accurate portrayals of the Diodati weekend I have come across. Common canards like having the Shelleys a) married and b) staying in the villa with Byron and Polidori were both not merely avoided but actively deconstructed. And I liked the clever device of delivering orientational exposition in the form of gossip during a dance. Very impressive!
I mainly just want to squee over this episode really, so here is a squee list:
Meanwhile, this story isn't merely a standalone, but the set-up for the epic two-part struggle with the Cybermen which has been trailed as the season's finale from its beginning. I can't say I have particularly high hopes about that, having seen one too many of New Who's epic final battles over the years. But I did appreciate the Doctor's impossible moral dilemma of being asked to choose between saving not only Shelley but the future contingent upon him and saving all the people involved in that battle - and especially the companions' discomfort when she pointed out the consequences for them. I hope the final two episodes can sustain those shades of grey.
I mainly just want to squee over this episode really, so here is a squee list:
- The shout-out to Ada Lovelace from earlier in the series.
- Polidori challenging Ryan to a duel.
- The nightmarish circular geography of the house, and even better this all turning out to emanate from Shelley's fevered mind.
- Byron hiding behind Claire from Polidori in his scary possessed state (and Claire later calling him out for this - though sadly for her the spell never really was broken).
- Fletcher the valet's eye-rolling.
- One of the fireplaces in the villa having a copy of the Apollo Belvedere over it. (Only really because I, too, have a copy of the Apollo Belvedere over my own fireplace - but it was nicely appropriate set dressing for a house full of Romantic poets.)
- Mary managing to cut through to the remaining humanity of the half-Cyberman just for a while, but not permanently. (It would have been very hokey if that had been a permanent solution - we had enough of threats being overcome by love in the Moffat era.)
- The ghostly maid and child remaining entirely unexplained.
Meanwhile, this story isn't merely a standalone, but the set-up for the epic two-part struggle with the Cybermen which has been trailed as the season's finale from its beginning. I can't say I have particularly high hopes about that, having seen one too many of New Who's epic final battles over the years. But I did appreciate the Doctor's impossible moral dilemma of being asked to choose between saving not only Shelley but the future contingent upon him and saving all the people involved in that battle - and especially the companions' discomfort when she pointed out the consequences for them. I hope the final two episodes can sustain those shades of grey.
no subject
Date: Tuesday, 18 February 2020 21:43 (UTC)Pretty much zero, as far as I remember. It was basically a self-contained story-of-the-week until the Cyberman materialised and started pointing the way towards the two-parter finale.
Likewise, the moving around inside the house was kind of important, in that it was one of the manifestations of Shelley being infected / possessed by the Cyberium, but it was mainly there to be a creepy nightmarish trope.
All the same, I think it's probably worth re-watching in a dark, quiet environment, as it was a pretty good episode, and it sounds like you didn't get the chance to settle into it properly and let it weave its Gothic magic.
Good luck with your quest for new glasses!